News & Press: Press

GQ: Paul Mescal breaks down the final episode of Normal People (and, yes, the chain)

28.11.2020 | Press

portrait of actor in suit

By Ben Allen

“We had an intimacy coordinator [Ita O’Brien], who was amazing and ultimately the fact that the scenes look really true and organic,” he explained. “But the main thing is me and Daisy felt safe because we had an amazing crew and amazing set of directors on this and it just gave us an opportunity to make something that felt like two young people in a really healthy relationship.”

While the scenes still makes him squeamish, he says he’s happy that they are out in the world. “It’s not nice to watch for me, but nice to be involved in. It’s something that I’m really proud that the world gets to see, and it’s nothing to be ashamed of in any way, shape or form.”

Link: Safe sex on set. Interview with Ita O’Brien

19.11.2020 | Press

Intimacy coordinator and actors working on a scene on set
Intimacy On Set's founder and the UK’s leading Intimacy Practitioner Ita O’Brien on set with actors

BY  ALGERINO MARRONCELLI

An intimacy coordinator is a professional figure, halfway between the choreographer and the stunt coordinator , who takes care of setting up the scenes with sexual content, making sure that a creative process is always transparent and based on consent. Until a few years ago, she was a rather unknown figure. But in a short time, especially as a consequence of the #metoo movement, it has become a very popular profession on the sets of films and television series.

(Translation from Italian)

Hollywood Reporter: Hollywood’s 50 Most Powerful TV Showrunners of 2020

22.10.2020 | Press

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Michaela Coel. Photo credit: Suki Dhanda

Michaela Coel: One big change I’d like to see in the industry in 2021

“Wouldn’t it be dreamy if intimacy directors could be employed on all sets where there is physical intimacy or scenes of a sexual nature? Wouldn’t it also be dreamy if independent projects shooting such scenes referred to Ita O’Brien’sIntimacy on Set Guidelines,” if they feel unable to afford an intimacy director? It’s very useful and worth taking into consideration to keep all on set safe.

ABC: Sex on screen is getting better and it could make us better at it too

08.10.2020 | Press

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By Velvet Winter

After decades of unrealistic and offputting sex on screen (*cough* Game Of Thrones *cough*) one woman is on a mission to bring authentic and consensual intimacy to our Netflix binges.

You’re eyes haven’t been betraying you, sex on screen has been getting better!

If you’ve watched Sex Education, Normal People or I May Destroy You then you will have enjoyed the work of intimacy co-ordinator Ita O’Brian.

But what exactly is an intimacy coordinator?
“An intimacy co-ordinator is a practitioner that brings open communication and transparency to the intimate content in a process that invites agreement and consent of simulated content, nudity and touch,” Ita told triple j.

Basically she makes sex scenes safe, fun and open for all those involved – and no, you can’t hire her for your regular life (we asked).

The Telegraph: Jessica Brown Findlay interview: ‘The first female Bond? Go on then!’

26.09.2020 | Press

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Jessica Brown Findlay CREDIT: Rii Schroer

By Chris Harvey

There is a lot of sex in Sky’s Brave New World. I wonder if Brown Findlay had an oh-my-god moment when she saw the script. First off, she says, she’d only been given the pages for the first episode before her audition and “learnt more about quantity, let’s say, as the show went on”.

The series turned out to be something of a trial run for the intimacy co-ordinators who have been widely introduced since the Me Too movement alerted the world to abuse in the world of film and television. “What has massively changed, for me, in the industry is that when I started out, it was a negotiation … ‘We want to see this,’ and it was like, ‘Well, I don’t want to show you that. I can maybe show you this’. It was all a push and pull.”

On the set of Brave New World, she says, she would consult the intimacy co-ordinators “basically every single time there is something intimate – and that’s not even just sex stuff”. “You negotiate with them, you talk to them,” she says. “You think, ‘How do I feel today, in my body, right now?’ When I was younger, I had no idea I could say no. And when I tried to sometimes in the past, it just didn’t go down well – ‘You’re new, we can find someone else.’ It was very manipulative. So, this was actually an amazing experience, considering the show. It was the safest and the most comfortable I’ve ever felt.”

Jennifer Te Atamira Ward-Lealand, icon of the screen & stage and 2020 New Zealander of the year

15.09.2020 | Press

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We really hope you enjoy listening to Jennifer Te Atamira Ward-Lealand sharing her career journey with you as part of The Female Career podcast.

Jennifer has worked extensively in theatre, film, television, musicals and radio for 40 years, as an Actor, Director, and Board Member. Her stage and screen work includes everything from Twelfth Night to Xena: Warrior Princess. She is also a trained intimacy coordinator.

Jennifer was a founding board member of the Watershed Theatre and a co-founder of the drama school, The Actors’ Program. She is President of Equity New Zealand (since 2008), Patron of Q Theatre and Theatre New Zealand and serves as a trust board member of the Actors Benevolent Fund. In 2018 she was named SPADA Industry Champion and in the 2019 New Year’s Honours List, she was named a Companion of the New Zealand Order of Merit (CNZM) for services to theatre, film and television and presented with a Woman of Influence Award (for arts and culture).  Most recently, Jennifer was honoured as the Kiwibank New Zealander of the Year 2020. 

Variety: ‘Normal People’ Creators, Actors Reveal Intimacy Process

26.08.2020 | Press

Normal People. Pictures/Enda Bowe

By Naman Ramachandran

​Mescal and Edgar-Jones were part of the conversation from the very beginning in order for them to feel comfortable, Abrahamson said. As the intimate scenes were a central dimension of the story, the production worked closely with intimacy coordinator Ita O’Brien, who created a space where the participants were encouraged to be completely honest about a scene and speak out if they were uncomfortable.

“After the initial awkwardness of the nakedness, it became creatively satisfying,” Abrahamson said. “A lot of that awkwardness that would normally attend the entire process of shooting scenes like that in a conventional approach, a lot of that just went away.”

“The idea of shooting those scenes may be far more anxious than the actual shooting process from day to day,” said Mescal. “There’s an awkward 10 minutes when you’re like, okay, I have to be relatively naked in front of a group of strangers… from an actor’s perspective you’ve got to treat that the same way you would a scene where you’re speaking to each other.”

“Another element that I was proud that was part of the series was the equality in nudity between Paul and I, I think that’s really important,” said Edgar-Jones. “Also, if you’re trying to tell the truth about a relationship, you have to also include the truth of what that means in terms of intimacy.”

“Having a sense of why certain scenes are happening and what is being communicated meant that we could just approach them like we would approach any dialogue scene. It became about the story,” Edgar-Jones added.

Harpers Bazaar: How I May Destroy You Navigates Consent and Trauma On-Screen

25.08.2020 | Press

HBO

BY ROSIE HUMPHREY

As trauma reverberates through these characters’ lives, it’s important that the actors portraying them are psychologically safe and supported. That’s why Ita O’Brien, a U.K.-based intimacy coordinator, was vital to the construction of these intimate moments, choreographing each move, or “beat” as O’Brien calls it, to create a seamless structure of intimacy and realism between the actors.

To ensure this realism is enacted safely, each beat is composed down to the placement of hands or a certain number of thrusts in order to protect the actors’ emotional and physical boundaries. As the architect of safe spaces on set, O’Brien worked closely with the artist well-being practitioner, Louise Platt, a qualified psychotherapist, who was on call to provide emotional and psychological support for the actors while they performed sensitive content.

This integrated approach of therapeutic support feels quite revolutionary, as Platt mentioned on Twitter and unfortunately is a practice that, until the Me Too movement, wasn’t always followed. The infamous sex scene in Blue Is the Warmest Colour is a prominent example where actors found a sequence distressing to perform; leads Adèle Exarchopoulos and Léa Seydoux described the 10 grueling days of filming as “horrible” and “really suffering.” After Hollywood’s awakening, O’Brien pioneered the role of intimacy coordinator and developed the Intimacy on Set guidelines to ensure that scenes of nudity, intimacy, and simulated sex are performed safely without compromising the actors’ personal boundaries.

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