Press

GQ: Paul Mescal breaks down the final episode of Normal People (and, yes, the chain)

28/11/2020

By Ben Allen

“We had an intimacy coordinator [Ita O’Brien], who was amazing and ultimately the fact that the scenes look really true and organic,” he explained. “But the main thing is me and Daisy felt safe because we had an amazing crew and amazing set of directors on this and it just gave us an opportunity to make something that felt like two young people in a really healthy relationship.”

While the scenes still makes him squeamish, he says he’s happy that they are out in the world. “It’s not nice to watch for me, but nice to be involved in. It’s something that I’m really proud that the world gets to see, and it’s nothing to be ashamed of in any way, shape or form.”

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Link: Safe sex on set. Interview with Ita O'Brien

19/11/2020

BY ALGERINO MARRONCELLI

An intimacy coordinator is a professional figure, halfway between the choreographer and the stunt coordinator , who takes care of setting up the scenes with sexual content, making sure that a creative process is always transparent and based on consent. Until a few years ago, she was a rather unknown figure. But in a short time, especially as a consequence of the #metoo movement, it has become a very popular profession on the sets of films and television series.

(Translation from Italian)

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Hollywood Reporter: Hollywood's 50 Most Powerful TV Showrunners of 2020

22/10/2020

Michaela Coel

One big change I'd like to see in the industry in 2021

"Wouldn't it be dreamy if intimacy directors could be employed on all sets where there is physical intimacy or scenes of a sexual nature? Wouldn't it also be dreamy if independent projects shooting such scenes referred to Ita O'Brien's "Intimacy on Set Guidelines," if they feel unable to afford an intimacy director? It's very useful and worth taking into consideration to keep all on set safe.

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ABC: Sex on screen is getting better and it could make us better at it too

8/10/2020

By Velvet Winter

After decades of unrealistic and offputting sex on screen (*cough* Game Of Thrones *cough*) one woman is on a mission to bring authentic and consensual intimacy to our Netflix binges.

You’re eyes haven’t been betraying you, sex on screen has been getting better!

If you’ve watched Sex Education, Normal People or I May Destroy You then you will have enjoyed the work of intimacy co-ordinator Ita O’Brian.

But what exactly is an intimacy coordinator?
“An intimacy co-ordinator is a practitioner that brings open communication and transparency to the intimate content in a process that invites agreement and consent of simulated content, nudity and touch,” Ita told triple j.

Basically she makes sex scenes safe, fun and open for all those involved - and no, you can’t hire her for your regular life (we asked).

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Yahoo: Intimacy coordinator Ita O’Brien has made a career out of choreographing sex scenes on TV shows such as “Normal People,” “Sex Education,” and “I May Destroy You”

5/10/2020

Video interview with Ita O'Brien on creating intimate scenes.

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ABC: The Hook Up: angry exes + sex on screen

4/10/2020

Love the way shows like Normal People, I May Destroy You and Sex Education deal with sex? We chat to Ita O’Brien, the intimacy co-ordinator behind these authentic, groundbreaking sex scenes.

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The Telegraph: Jessica Brown Findlay interview: ‘The first female Bond? Go on then!’

26/9/2020

By Chris Harvey

There is a lot of sex in Sky’s Brave New World. I wonder if Brown Findlay had an oh-my-god moment when she saw the script. First off, she says, she’d only been given the pages for the first episode before her audition and “learnt more about quantity, let’s say, as the show went on”.

The series turned out to be something of a trial run for the intimacy co-ordinators who have been widely introduced since the Me Too movement alerted the world to abuse in the world of film and television. “What has massively changed, for me, in the industry is that when I started out, it was a negotiation … ‘We want to see this,’ and it was like, ‘Well, I don’t want to show you that. I can maybe show you this’. It was all a push and pull.”

On the set of Brave New World, she says, she would consult the intimacy co-ordinators “basically every single time there is something intimate – and that’s not even just sex stuff”. “You negotiate with them, you talk to them,” she says. “You think, ‘How do I feel today, in my body, right now?’ When I was younger, I had no idea I could say no. And when I tried to sometimes in the past, it just didn’t go down well – ‘You’re new, we can find someone else.’ It was very manipulative. So, this was actually an amazing experience, considering the show. It was the safest and the most comfortable I’ve ever felt.”

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Variety: ‘Normal People’ Creators, Actors Reveal Intimacy Process

26/8/2020

By Naman Ramachandran

Mescal and Edgar-Jones were part of the conversation from the very beginning in order for them to feel comfortable, Abrahamson said. As the intimate scenes were a central dimension of the story, the production worked closely with intimacy coordinator Ita O’Brien, who created a space where the participants were encouraged to be completely honest about a scene and speak out if they were uncomfortable.

“After the initial awkwardness of the nakedness, it became creatively satisfying,” Abrahamson said. “A lot of that awkwardness that would normally attend the entire process of shooting scenes like that in a conventional approach, a lot of that just went away.”

“The idea of shooting those scenes may be far more anxious than the actual shooting process from day to day,” said Mescal. “There’s an awkward 10 minutes when you’re like, okay, I have to be relatively naked in front of a group of strangers… from an actor’s perspective you’ve got to treat that the same way you would a scene where you’re speaking to each other.”

“Another element that I was proud that was part of the series was the equality in nudity between Paul and I, I think that’s really important,” said Edgar-Jones. “Also, if you’re trying to tell the truth about a relationship, you have to also include the truth of what that means in terms of intimacy.”

“Having a sense of why certain scenes are happening and what is being communicated meant that we could just approach them like we would approach any dialogue scene. It became about the story,” Edgar-Jones added.

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Harpers Bazaar: How I May Destroy You Navigates Consent and Trauma On-Screen

25/8/2020

BY ROSIE HUMPHREY

As trauma reverberates through these characters’ lives, it’s important that the actors portraying them are psychologically safe and supported. That’s why Ita O’Brien, a U.K.-based intimacy coordinator, was vital to the construction of these intimate moments, choreographing each move, or “beat” as O’Brien calls it, to create a seamless structure of intimacy and realism between the actors.

To ensure this realism is enacted safely, each beat is composed down to the placement of hands or a certain number of thrusts in order to protect the actors’ emotional and physical boundaries. As the architect of safe spaces on set, O’Brien worked closely with the artist well-being practitioner, Louise Platt, a qualified psychotherapist, who was on call to provide emotional and psychological support for the actors while they performed sensitive content.

This integrated approach of therapeutic support feels quite revolutionary, as Platt mentioned on Twitter and unfortunately is a practice that, until the Me Too movement, wasn’t always followed. The infamous sex scene in Blue Is the Warmest Colour is a prominent example where actors found a sequence distressing to perform; leads Adèle Exarchopoulos and Léa Seydoux described the 10 grueling days of filming as “horrible” and “really suffering.” After Hollywood's awakening, O’Brien pioneered the role of intimacy coordinator and developed the Intimacy on Set guidelines to ensure that scenes of nudity, intimacy, and simulated sex are performed safely without compromising the actors’ personal boundaries.

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Huffington Post: 'A True Artist': How The Unstoppable Michaela Coel Became The Most Exciting Talent In TV - By Those Who Know Her

17/8/2020

By Adam Bloodworth

“She’s there as a colleague, as a mate, and then she’s there jumping into the role of actor for a scene,” reflects Ita O’Brien, intimacy coordinator who worked with Michaela Coel on I May Destroy You. “And on days where she’s finished her scene she’s into her own clothes and bang, into co-director mode… And then, ‘oh sorry, I can’t have this conversation, I’ve got to go and have a production meeting’: into executive producer mode.”

This is only the briefest glimpse into what life was like for Michaela Coel during the shoot for I May Destroy You, the BBC drama which set a new precedent for how consent and sexual assault - moreover, just how lives in general - can be authentically portrayed on screen.

Soon after, when Coel appeared on the front page of New York Magazine captioned ‘Michaela The Destroyer,’ her small but robust international fanbase felt validated. I May Destroy You has seen Coel rise to a level of fame and prominence only those closest to her could have quietly predicted. Not that anyone would have listened.

“What’s brilliant about her is she’s calling the industry out: going ‘hold on a minute, you’re not really considering us,’” continues O’Brien of Coel. “I do feel it is groundbreaking. How Michaela writes, what she has written about, and also the fact that she’s a woman writer.

Take the scene in episode three of I May Destroy You (mild spoiler alert) where Coel’s character Arabella is hooking up with an Italian man named Biagio, who notices a blood clot in her period discharge during sex.

“The paraphernalia of a menstruation isn’t something that’s out there,” says O’Brien, who notes that half the population spend roughly half their lives engaged in a menstrual cycle, yet when has the reality of that been shown on TV before Coel?

“It’s so gratifying being part of something that is helping people have that awareness,” continues O’Brien. “Plus, when else have you seen a woman of colour with an Asian man?”

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