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BBC: I May Destroy You: How modern TV's most talked-about sex scenes were filmed

13/7/2020

By Steve Holden

Sex on TV is changing, with series like I May Destroy You, Normal People and Sex Education showing an authentic - and sometimes uncomfortable - version of intimacy on screen.

Ita O'Brien choreographed the sex on all three shows - working on scenes depicting sex that was at times funny, touching, awkward and abusive.

The intimacy co-ordinator spoke to Radio 1 Newsbeat about what goes on behind the scenes and how filming sex might work on a socially-distanced set.

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Digital Spy: Normal People's Daisy Edgar-Jones says she felt "free" during sex scenes thanks to intimacy coordinator

12/7/2020

BY SUSANNAH ALEXANDER

Normal People star Daisy Edgar-Jones has revealed that she and co-star Paul Mescal were very comfortable filming intimate scenes together for the drama because their work with an intimacy coordinator made them feel "free".

Daisy and Paul's characters – Marianne Sheridan and Connell Waldron – share a turbulent relationship in the BBC / Hulu co-production and the actors had to film a number of sex scenes together.

Daisy has told Vanity Fair that she and her co-star worked closely with Ita O'Brien, who is an expert in working on intimate scenes, and said that she feels more shows would benefit from hiring somebody like her.

"It was an amazing process. I can't believe that it's not been the norm for a very long time because it feels like I don't know how else you would go about doing those scenes," she said. "They are integral to telling the story of a relationship between two people as they grow up. The physical side of things is an incredibly important part of that."

She added that she and Paul worked with Ita to determine what they were each comfortable with doing and said that this had made them feel "more free" when it came to acting out the love scenes.

"We discussed at length with her what exactly we were trying to communicate with each moment," she said. "We would discuss what each other was comfortable with day to day so you never felt like you were going to overstep anybody's boundaries. Weirdly, we were kind of more free, because of the structure that was put in place.

"Strangely, those scenes were some of the least challenging once you kind of got the first few under your belt. You knew exactly what you were doing... so there wasn't much room for nuance."

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Vanity Fair: Normal People: The Secrets of Marianne and Connell’s First Sex Scene

10/7/2020

BY ENDA BOWE

“One of the things that’s pretty powerful about that scene is there’s an element of asking for protection in that moment,” she said. “I don’t think often you see lovemaking scenes with those elements, because I think for some reason we feel that that would break the moment or take away from the raciness of it. But it really adds to it, because it’s truthful to what an actual first-time relationship should be like when it comes to Connell making sure Marianne is safe. But also that Marianne feels she’s able to ask for protection and not feel embarrassed by that.”

Intimacy coordinator Ita O’Brien worked closely with the actors to make sure that they felt just as comfortable, while also ensuring that their movements looked truthful.

“Ita’s really good at making sure that everybody understands what’s going to happen and feels good about it,” explained Abrahamson. “You have the two actors stand and talk to each other and say what they feel comfortable with [touch-wise].”

Abrahamson said that O’Brien also helped coordinate movements so that, for example, while the actors might look as though their bodies were pressed against each other, they were actually positioning themselves in a certain way to cheat that closeness, or being separated by some material. “There’s all these varieties of covering so that everything that’s off camera is covered,” said Abrahamson. “It’s lots of planning and discussion, but what it means in the end is that everybody feels comfortable.”

Extensive rehearsals involved not only the actors and the intimacy coordinator, but also everyone else who would be on set the day of filming, including the cinematographer and script supervisor. They rehearsed every element of filming the scene, from blocking to camera angles to who would cover the actors with clothing once Abrahamson called “cut.” “All these really simple things help make things go calmly so there’s no rushing around on the day,” he explained. ”So if you’re going to have nakedness on a wide shot, how do you do it to make sure that everyone is comfortable…and then with each sort of setup, you say, ‘Well, on that one, people can wear shorts…or everything can be covered because all you need to see are the faces. You’re basically making a strategy for the day.”

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Cosmopolitan: Is COVID-19 the End of Sex Scenes As We Know Them?

10/7/2020

by JASMINE TING

Those scenes make romantic movies what they are. But with a global pandemic keeping most people from making any direct physical contact, those potentially iconic moments might not even make it into future movie and TV scripts, which is a total shame. Filmmakers, showrunners, writers, and the whole crew will have to make major changes. Basically, it's complicated. We talked to some experts about what it could look like.

“It's not about writing out the romantic journeys of their characters, but it is about considering that intimate arc,” says Ita O’Brien, a professional intimacy coordinator. Basically, they're going to have to think twice about everything. O'Brien has choreographed scenes for HBO’s new series I May Destroy You, and hit shows Sex Education, and Normal People. If you’ve seen Normal People, it’s pretty hard to believe the very intense and very realistic sex scenes aren't real. To some extent, they make the entire show. So yeah, Ita, and the people who work in show business alongside her, would know a thing or two about the importance of those scenes.

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O’Brien says one of the possible tactics productions could use is to write scenes in a way that characters could maintain that romantic and sexual tension, while also keeping a safe social distance.

O’Brien says one way that could work is by stopping the scene right before things get ~saucy~, like they used to do in the 1950s. Back then—with actors like James Dean, Marilyn Monroe, and Audrey Hepburn—sex scenes were still such a scandalous thing in Hollywood. So the actors would get as close as they possibly could to each other, maybe share a kiss, and then right before they got it on, the camera would pan over to a fireplace (to symbolize the seriously hot sex they’re having, duh), or the screen would just fade to black.

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Drama Quarterly: New World order

8/7/2020

By Michael Pickard

The project also saw Wiener work with intimacy coordinators for the first time, with Ita O’Brien and Kate Lush overseeing choreography of the numerous sex and nude scenes that take place.

“There’s a lot of sex in the book; it’s very necessary to how New London society works,” Wiener says. “I had never worked with an intimacy coordinator before. I didn’t know if it was necessary or really what they do, but it made all the difference. Kate and Ita gave our actors such confidence, command and ownership of the experience of being vulnerable. You’re exposed, and they just embraced it.

“The show is not graphic but there are a lot of bodies. Sex is a part of the show. But I had no idea how valuable they would be and how they made it a safe thing to talk about. They created an atmosphere of respect. It was really liberating for the actors, and certainly liberating for the filmmakers because we felt protected. Now, I couldn’t ever imagine working without an intimacy coordinator. Everyone should.”

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Screen Daily: Emmys spotlight: Daisy Edgar-Jones on catching the zeitgeist in ‘Normal People’

7/7/2020

By Wendy Ide

The 12-part series was divided between two directors: Lenny Abrahamson took the first six episodes and Hettie Macdonald helmed the second tranche. Edgar-Jones pays tribute to the harmony of approach brought by two filmmakers she describes as “actor directors”.

Perhaps equally important, however, given the number of sex scenes and the weight that was placed on the sexual dynamic as a means to explore the broader relationship, was the involvement of intimacy co-ordinator Ita O’Brien, whose input Edgar-Jones calls “invaluable”.

“I really cannot believe that’s a new thing,” she says. “I hope it becomes the norm. I know if I were ever to do a scene like that again, I wouldn’t do one without having somebody there to look after not just the actors, but also the directors and all the people who are on set. It’s important they don’t feel like they’re ever taking advantage of anyone or putting anyone out of their comfort zone.”

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Vulture: I May Destroy You’s Paapa Essiedu on Going to Drama School With Michaela Coel

6/7/2020

By Jackson McHenry

What was it like to film Kwame’s assault? I know you all worked with an intimacy coordinator, Ita O’Brien, who also worked on Normal People. The scene has to make really clear the distinctions between what starts as consensual and what becomes very clearly an assault.

It was obviously intense but also kind of hilarious. Ita O’Brien’s hilarious and hands on. She’s really into using animals as examples. She’ll be showing you an example of a bonobo having sex or a video of cats or dogs having sex and will be like, “In this part of the scene, you’re a bonobo, and then in this part, you’re a horse.” It’s one of those moments where you take a step out of your consciousness and go, “Wow, is this really a job?”

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New York Times: Paapa Essiedu Knows ‘I May Destroy You’ Is Hard to Watch

6/7/2020

By Eleanor Stanford

What was it like working with the show’s intimacy coordinator, Ita O’Brien?

She makes any of those scenes so chill and safe. The example she sets and the practices she keeps is what makes those scenes feel real.

I did a show awhile ago called “Press,” and Charlotte Riley and I had some sex scenes in that, and we obviously didn’t have an intimacy coordinator. It was one of my first jobs of that level onscreen.

She’d already had an amazing career, so she had the experience to get us to discuss it, ask me what I thought. But if it was the other way around, or if neither of us had had that experience, it’s fully the blind leading the blind in a situation that’s incredibly dangerous and intimate.

It’s part of a language of “I May Destroy You,” that sexuality and that physicality. And Michaela is switched on, so she wants the actors on her show to feel safe.

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The Irish Times: The woman behind Normal People’s Liveline-worthy sex scenes

4/7/2020

By Tanya Sweeney

Even before #MeToo brought some of these stories to light, movement director Ita O’Brien had been creating an on-set intimacy guide. After working with actors on movement workshops, she noted that many of them felt vulnerable, unsure and compromised while filming sex scenes.

After working on her own project exploring the dynamic of sexual abuse, entitled Does My Sex Offend You? she realised that something had to change.

“I started my project in 2015 and was looking at how do we keep actors safe and what practices needed to be put in place,” she reveals. “When the Weinstein thing happened [as a number of women came forward to highlight instances of harassment at the hands of movie producer Harvey Weinstein], I was ready to say to directors, ‘here are the guidelines. This will give you a professional structure in order to do intimate content in a professional way’.”

With directors and producers keen on fostering a safer workspace, O’Brien soon found herself hired as an on-set intimacy co-ordinator. After “choreographing” the sex scenes on Gentleman Jack, Watchmen and Netflix’s Sex Education, O’Brien recently worked on Normal People, the TV adaptation of Sally Rooney’s novel, along with director Lenny Abrahamson.

“I can’t imagine doing things like that without Ita,” its star Edgar-Jones recently said. “There was a sense with Ita in charge of the physical stuff, that all we had to worry about were the story beats, and doing the writing justice. Then, it becomes like a job. You’re such good friends with the crew that you do a scene like that, then you break for lunch. It’s a bit odd.”

With a mum from Cookstown in Co Tyrone and a dad from Clonmel in Co Tipperary, O’Brien laughs when I ask about how a nice Catholic girl like herself has wound up on film sets, essentially showing actors how to simulate sex.

Yet she takes her work very seriously, and is passionate about getting the scenes right. O’Brien likens her work, in a way, to that of a stunt co-ordinator, or dance choreographer. Her job is to serve the director’s vision, while also advocating for the welfare of the actors involved in the scenes.

“You wouldn’t say the stunt co-ordinator is there to make the actors safe – you would say the stunt co-ordinator is there to give you really exciting, convincing, full-on fight scenes that will have people on the edge of their seats,” O’Brien explains. “You’re putting in techniques that keep your actors safe, which will let them act their socks off and create the best intimate content that they can.”

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Deadline: Paul Mescal, Daisy Edgar-Jones & Lenny Abrahamson On The Magic Of Smash Hit ‘Normal People’ & Season 2: “I Need Them To Be Together”

1/7/2020

By Antonia Blyth

Guiney and Abrahamson also knew that the intense, very intimate scenes were key, and they were aware of the need to protect everybody involved. So, an intimacy coordinator was brought in. “We had this wonderful person,” Guiney says. “A woman called Ita O’Brien, who, with Lenny and Daisy and Paul, and with the DP Suzi Lavelle, worked very closely together to create an atmosphere so that the actors could actually cease to worry about the choreography of those scenes, and could actually act. Because we had such young actors, we just wanted to make sure that they were as comfortable and as protected as possible, had as much agency in how those scenes were done and didn’t feel any pressure. Ita just creates a very—to use that well-worn phrase—safe space. But it is a really safe space where really good work can happen.”

“I wouldn’t ever sign on to a job now where sex is required without an intimacy coordinator,” Mescal says, “because I can’t imagine how you would do it.”

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