By Libby Torres
Speaking to Insider via Zoom, O'Brien said that choreographing sex successfully is less about chemistry or the intrapersonal relationship between actors, and more about maintaining boundaries and an open line of communication between all parties, including the director.
She also stressed the power of a "positive no," wherein an actor can express their physical boundaries without fear of repercussions, and the importance of "agreement and consent." And for the intimacy coordinator, taking the character's sexuality, not the actor's, into consideration is key.
"It's not as if you have dialogue and then suddenly — now they're there, they're making love," O'Brien said. "All of it is just a continuation of the communication between characters, be it in the text or in physical dance."
More . . .
Speaking to Insider via Zoom, O'Brien said that choreographing sex successfully is less about chemistry or the intrapersonal relationship between actors, and more about maintaining boundaries and an open line of communication between all parties, including the director.
She also stressed the power of a "positive no," wherein an actor can express their physical boundaries without fear of repercussions, and the importance of "agreement and consent." And for the intimacy coordinator, taking the character's sexuality, not the actor's, into consideration is key.
"It's not as if you have dialogue and then suddenly — now they're there, they're making love," O'Brien said. "All of it is just a continuation of the communication between characters, be it in the text or in physical dance."
More . . .
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