“I didn’t think there was even a role in the profession when I first started developing this work several years ago,” says Ita O’Brien, a former actor turned movement director who specialises as an intimacy coordinator. “Now I can name at least 20 to 30 intimacy coordinators working around the world – and we’re training up dozens more to meet the demand.”
O’Brien’s job is to make sure that actors are comfortable, that boundaries are discussed, and every step of a scene is mutually agreed and choreographed in the same way as a fight, a dance or an action sequence.
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