By Marc Malkin
Janus told me it was the first time you ever worked with an intimacy coordinator.
I had never done that before. You’re doing a sex scene in a bedroom and you have this older woman that’s watching and giving your notes on how to do the sex scene and I’m thinking, “Who is this person telling me how to have sex?” [Laughs.] But it was wonderful. She was lovely. It just takes the pressure off. There’s just no discomfort, because you have someone like a referee making sure it’s all above board and everyone is comfortable. She’s also like a choreographer making sure it all translates well on screen like, “Move your neck” or “Arch your back more.”
More . . .
Janus told me it was the first time you ever worked with an intimacy coordinator.
I had never done that before. You’re doing a sex scene in a bedroom and you have this older woman that’s watching and giving your notes on how to do the sex scene and I’m thinking, “Who is this person telling me how to have sex?” [Laughs.] But it was wonderful. She was lovely. It just takes the pressure off. There’s just no discomfort, because you have someone like a referee making sure it’s all above board and everyone is comfortable. She’s also like a choreographer making sure it all translates well on screen like, “Move your neck” or “Arch your back more.”
More . . .
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