The weight of the show falls on the shoulders of the three leads: clever Melchior, whose high-minded dreams of a better future are nearly crushed by the consequences of his affair with the naïve but lovely Wendla; and well-meaning Moritz, who is destroyed by the weight of expectations placed upon him. All are utterly superb.
As Melchior, Laurie Kynaston (familiar from The Son and The Ferryman) has a tentative openness, and a firm belief in his own knowledge that make his descent almost unbearable to watch. Amara Okereke as Wendla matches him in tenderness and magnanimous trust; the scene where they make love (staged with the help of intimacy director, Ita O'Brien) has a touching clumsiness that makes it all the more affecting. Her singing is so pure and radiant, it seems to come directly from her heart. The last of the central trio, Stuart Thompson, is simply heart-breaking and there are fine performances too from Nathan Armarkwei-Laryea as one of life's survivors and Carly-Sophia Davies as one of the world's lost souls. It is a triumphant achievement and I wish it a long run and full houses.
More . . .
As Melchior, Laurie Kynaston (familiar from The Son and The Ferryman) has a tentative openness, and a firm belief in his own knowledge that make his descent almost unbearable to watch. Amara Okereke as Wendla matches him in tenderness and magnanimous trust; the scene where they make love (staged with the help of intimacy director, Ita O'Brien) has a touching clumsiness that makes it all the more affecting. Her singing is so pure and radiant, it seems to come directly from her heart. The last of the central trio, Stuart Thompson, is simply heart-breaking and there are fine performances too from Nathan Armarkwei-Laryea as one of life's survivors and Carly-Sophia Davies as one of the world's lost souls. It is a triumphant achievement and I wish it a long run and full houses.
More . . .
RSS Feed
